from Saturday June 1 - Saturday June 29, 2019
Opening preview: Saturday June 1st from 17:00 till 19:00 hours
curated by Koen Doodeman
Bundling hair relaxes as much as not bundling hair. However, there’s a difference between combing your fingers through loose hair and sliding them over a tight braid: whether you are inside the hair, surrounded by it, held in its atmosphere; or standing outside, cut off from it – the hair is an object. A matter of perception, a matter of style. It is the process of bundling loose hair and the way that you do it that gives a hairstyle its power.
The ‘way that you do it’ is a core element in this show. Take as an example the three-strand braid: whilst intricate, it is very easy to do once you get the hang of it – you forget quickly that you are plaiting at all. The result can differ depending on the way in which you interweave the strands during the braiding process. A Dutch braid (vlecht), for example, is an inversion of the French (tresse); vlecht is above the hair instead of beneath as the French do it. But in both instances the length of hair dictates the duration of repetition, the hair directs the style. A perception of matter.
‘Easy care holiday hair’ is about the intimacy of making; the top tingle of the finger, about caring by creating; feeling with the eye. About connecting whilst combing, traveling whilst sliding. Following a hair to its destination, inside, outside, a vlecht or a tresse, any hair on a holiday, stays at home. Rooted.
Koen Doodeman (1987, NL) was educated at the HKU in Utrecht. From 2015-2016 he was a resident at the Rijksakademie in Amsterdam and in 2017 at the ACC Gwangju in South Korea. In 2010 and 2013 he was nominated for the Royal Painting Award, and in 2014 Doodeman was awarded this prize. In 2016 he received a grant from the Mondrian Fund and a private fellowship from De Heus – Zomer. His work is part of esteemed public and private collections.
Hadassah Emmerich (1974, NL) lives and works in Brussels. She studied at the Academy of Fine Arts in Maastricht and the Higher Institute for Fine Arts, Antwerp (BE) and holds a MA degree in Fine Art from Goldsmiths College, London (UK). In 2019 a new monographic publication is presented at Art Brussels. The work of Emmerich is part of the collection of Bonnefantenmuseum (Maastricht), Schunck (Heerlen), Gemeentemuseum (The Hague), Museum Voorlinden (Wassenaar) and Museum voor Moderne Kunst (Arnhem), amongst others.
Tobias Hantmann (1976, DE) studied at the Kunstakademie Düsseldorf from 1997 till 2004 in the class of Jan Dibbets. In 2001 he was a guest student of Georg Baselitz at the Hochschule der Künste in Berlin. In 2011 Hantmann won the Förderpreis Düsseldorf and Nordrhein-Westfalen. He was a resident successively at Cité Internationale des Arts Paris, Schloss Ringenberg (DE) and the Nordic Art Association Sweden.
Dominique Zinkpè (1969, BJ) is a painter and sculptor from Benin, Africa. His work is influenced by the country’s rich history and his immediate African surroundings. Many of Zinkpè’s sculptures consist of assemblages of carved wooden Ibeji dolls. These personages combine an animalistic and natural appearance with human characteristics. Zinkpè was awarded the Prix Jeune Talent Africa in 1993 and won the Prix Umeoa at the 2002 Dakar Biennale.