Caja Boogers’ paintings generally focus on altering viewers’ perceptions. To do so, he uses painting conventions such as the usage of perspective, diptychs and repetition, and forces a connection between these formal elements and the painted subject. He believes that all of these elements are inextricably connected to the viewers experience. His work is often characterised by layers and scratches, as well as little imperfections on the surface, and can vary from photorealistic paintings to monochrome abstractions.
Because of his uniform way of presenting, Boogers ultimately creates a connection between the work and the space. This spatial quality takes the emphasis off the singular image, and forces you as a viewer to look at the work as a whole. His craftsmanship enables him to present the image in a manner that prompts viewers to question what they are seeing— if it’s even a painting— reminiscent of trompe l’oeil techniques.
His Partition-series best exemplify this dynamic form, as the works are essentially abstract diptychs with no particular representation. Still, the painted light along with the door-shaped frame, as well as the separating line in between the two canvases evoke the association of elevator doors. However, unlike trompe l’oeil, Boogers does not create an illusion. Instead, he dissects the concept of these doors, presenting nothing but diptych monochromes.
The artist’s current practice revolves around old analogue pictures from personal family albums, as well as public archives, which he references within his paintings. The images display settings of daily life in the former Dutch East Indies. Boogers’ interest for these albums originates from the conversations he had with his grandparents, wherein they had shared stories of how their lives were back then. This isn’t very usual, as a lot of Indo-European families keep these stories to themselves, and are therefore prevented from being passed on to the next generation. His latest work Retelling (2024) combines a painterly urge to comprehend an image through repetitive painting with a deep personal nostalgia that persists within the Indo-Dutch community. It’s a collective sentiment over a bygone era, or even a non-existent era, that’s ultimately embedded in the artist’s upbringing.
CV Caja Boogers
Born in Vlaardingen, Netherlands, 2001
Lives and works in Vlaardingen, the Netherlands.
Education
2019 – 2023 BA Fine Art Hogeschool voor de Kunsten, Utrecht
2022 Internship Pennie Key Rijksakademie, Amsterdam
Selected exhibitions
2024
‘As far as I know,’, Galerie Gerhard Hofland, Amsterdam (NL) solo
Harvest 2024, Lakeside Collection, Depot Boijmans van Beuningen, Rotterdam (NL) duo
Last Show, Collectie De Groen, Arnhem (NL) group
Daily encounters and how to catch them, Museum Helmond, Helmond (NL), group
ECHTER, Moving Gallery, Utrecht (NL), group
Best of Graduate Legacy, Art Rotterdam, Galerie Ron Mandos, Amsterdam (NL), group
Art Rotterdam, Galerie Gerhard Hofland, Amsterdam (NL), group
2023
Closing Distance, Galerie Weisbard, Rotterdam (NL), solo
Maidentrip, Collectie De Groen, Arnhem (NL), solo
Best of Graduates, Galerie Ron Mandos, Amsterdam (NL), group
HKU Exposure, HKU Fine Art, Utrecht (NL) graduation show
PARTITIONS, Galerie Gerhard Hofland, Amsterdam (NL) duo
TRAILER, AG, Utrecht (NL), group
A Touch of Light, Museum Kranenburgh, Bergen (NL), group
2022
PEEK Pastoe, HKU Fine Art, Utrecht (NL), group
The NEXT: Kapsalon, Herman van Veen Arts Centre, Soest (NL), group
2021
CURRENT CURRENT CURRENT, OMSTAND, Arnhem (NL), group
Virtual Empathy, AG, Utrecht (NL), group
Residencies
2023 Artist-in-residence in Depot Boijmans van Beuningen, Rotterdam (NL)
Collections
Museum Voorlinden
De Groen Fine Art Collection
Akzo Nobel Art Foundation
Lakeside Collection
Ministerie van Binnenlandse Zaken
ING Collection
Verder Collectie
Prizes/nominations/grants
2023 Lakeside Collection Award 2023 (winner)
Publications
2023
‘De vliegende start van drie jonge kunstenaars’, Anna van Leeuwen, de Volkskrant 10 juli 2023
Metropolis M: Inkomen & Eindexamens 2023, Eli Witteman
Nu te Zien ‘A touch of light’, AVROTROS, 18 juni 2023
MuseumTV: Kunstbeloften: Caja Boogers, 30 november 2023
Untitled (Iterations) nr 42, 2024, acrylic pasta en olieverf op doek, 65 x 50 cm.
Enter viewing roomUntitled (Iterations) nr 37, 2024, acrylic pasta en olieverf op doek, 65 x 50 cm.
Enter viewing roomUntitled (Iterations) nr 81, 2024, acrylic pasta en olieverf op doek, 65 x 50 cm.
Enter viewing roomUntitled (Iterations) nr 17, 2024, acrylic pasta en olieverf op doek, 65 x 50 cm.
Enter viewing roomUntitled (Iterations) nr 28, 2024, Acryl pasta en olieverf op canvas, 65 x 50 cm.
Enter viewing roomUntitled (Iterations) nr 32, 2024, Acryl pasta en olieverf op canvas, 65 x 50 cm.
Enter viewing room